How to Win a Space Race

black-hole

HOW TO WIN A SPACE RACE
by Kurt MacPhearson

exploit
the spacetime curve:
swing event horizons
and shrink years to months as Einstein
promised

Originally appeared in Star*Line 32.1

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Finding Speculative Poetry

SFPA logoEvery year since 1978, members of the Science Fiction Poetry Association (SFPA) have nominated speculative poetry published the prior year for the Rhysling Award. These poems are collected in the annual Rhysling Anthology. Once the membership receives their copies of the anthology, they cast votes for their three favorite poems in each of two categories: “Best Short Poem” (1-49 lines) and “Best Long Poem” (50 or more lines). The 2014 anthology came out a little late this year, but it was well worth waiting to lose myself in the astounding imagery offered by poets from around the world.

The 2014 Rhysling Anthology isn’t yet available for public sale, however, I’d like to use this opportunity to share a few links to speculative poetry publications.

Online

Goblin Fruit

Quarterly poetry zine with a focus on the mythic and fantastical.

 Liminality

A new quarterly speculative poetry zine with poems “that touch the heart as much as the head.”

Note: Read Diane Severson’s review of Luminality’s first issue which includes four audio versions of the peoms here.

Strange Horizons

Weekly poem, story, article, review, etc., all with a speculative bent.

 Print

 Dreams and Nightmares Magazine

 Science Fiction and Fantasy poetry, often with a touch of horror.

Star*Line

The Journal of the Science Fiction Poetry Association. Speculative poetry of all types.

Tales of the Talisman

Quarterly magazine packed with speculative fiction and imaginative poetry.

Enjoy!

Inner Space

About a year after I started writing speculative poetry I submitted a batch of poems to Star*Line, the Journal of the Science Fiction Poetry Association (SFPA). I was particularly proud of one called “Red Blinky Thing,” which focused on a dead planet that had been fitted with a blinking red beacon. I had a few poems published already, but nothing I’d written before could compare to the stunning imagery and profound message I’d stuffed into that poem. In less than a week, however, then editor Marge Simon responded with what was the most effective rejection I’d ever received.

 “…overkill. See too much of this. Try me with the ‘inner space’ in your head.”

At first, I struggled with her statement. Why would I be searching inside my head, when I’m trying to write about outer space? The only thing that sort of searching would accomplish would be to dredge up all the crap in my life that I didn’t want to think about. I didn’t want self-examination. That’s what therapy is for!

What I wanted out of speculative poetry was freedom. I wanted to explore places I’d never been, and perhaps make up a few things along the way like a 16th Century cartographer who scrawls “Here there be dragons!” on an uncharted region just to toy with the minds of his peers. Inner space? Please. Marge Simon obviously didn’t have a clue about speculative poetry.

Click here if you’d like to see how wrong I was.

So I bit my tongue, closed my eyes, and proceeded to try it her way. But ever so cautious. I could bump into strange things in the dank recesses of my mind. Hell, I might not even find my way back. It may sound a bit facetious, but that was how I felt stepping into that inner space. And those dark thoughts led me to black holes.

Event Horizon STRLNJLGST2010
by Kurt MacPhearson 

a pin-prick point
of everything
and nothing
lodged in the heart

 a cosmic eraser
leaving empty
theoretic explanations
as the soul rides

 originally appeared in Star*Line 28.3

I challenge all who read this entry to take Marge Simon’s advice. Search that inner space in your head and explore places you’ve never been, see things you thought you’d never see, and, in the speculative spirt, make up a few things along the way.